Showing posts with label author. Show all posts
Showing posts with label author. Show all posts

Sunday, May 25, 2014

Blaze is talking to me again

As some of you may know, I've had a pretty hard time writing one of my current WIPs. Not only did I lose a massive amount of the story that I'd written, but I found that after starting another series, I had a hard time refocusing on my delectable Guardians again. Throughout this week, I've felt that spark of life in my Guardians again. Where there backs have been turned to me for not making backups of my backups of my backups, they're at least starting to peer at me from over those shoulders, and my main hero in this novel has finally started talking to me again. So, below is a section of Blaze's story. For anyone who has read the story so far, the end of this section may sound familiar...only from a different view. I hope you enjoy, and no I haven't paid much attention to editing, so I apologize in advance for any mistakes.


No flippin’ way. There was a body. She walked right up to it and snapped a few pictures from different angles, narrowing her eyes at the strange elongation of the guy’s face, and the dark bluish-black liquid that ran off his body and pooled in the snow. What the heck was that, oil?

“Campbell.”

Sophie cringed at the familiar, gruff voice and turned, seeing Detective Harris stalk toward her. “Harris,” she greeted. Dammit, she’d thought she’d be here longer than a few minutes before the jerk saw her.

“What are you doing here? You know you can’t get this close.” He lifted his hands up as though he was going to herd her like some sort of cow back to the police line.

“Freedom of the press.” She shrugged, lifting her chin a degree. She refused to back up a single step. She was not a heffer, thank you very much.

“Freedom, my ass—” 

“I’ll handle it from here,” another officer said. 

She turned toward the newcomer and smiled as Harris’s partner strolled up to them with a shake of his head that was directed at her. 

“Detective Larkin. Nice to see you.” She lifted her camera again and snapped a picture at Elongo-Face without even looking through the viewfinder. No need. She was pretty sure she nailed it.

He cocked an eyebrow at her, though she knew damn well he found her charming. Why wouldn’t he? “Right. Listen, you’re disrupting a crime scene and we’re pushing everyone back anyway.”

“Disrupting? Me? Nuh uh, I’m just minding my own business. I promise, I haven’t even approached any dead bodies that have cops around them. Just this guy so far, and he was all alone over here.”

Larkin shook his head warningly. “Sophie. I’ve known you a long time. Your Dad and I—”

“Nuh uh, not tonight, Larkin.” She shook her head, not wanting to hear about how close he and her dad had been when her dad was still alive. They’d been partners in crime, keeping the good city of Newark safe behind their shiny badges. She reached into her bag and extracted her voice recorder. “Can you give me a report on what’s going on here?”

“No more than what I’m sure you heard on your radio. Put that thing away.” He reached for it and pushed it down as Detective Harris sauntered off to speak with other police officers, all of which were tense as they kept guns trained on the house. Even Larkin kept his hand on his gun, even though it was still holstered. It was then that she noticed that he kept himself between her and the house. “Listen. This isn’t some quick story that I can help you out with. This is serious, Sophie. And if I let you get in harm’s way I wouldn’t be living up to the promise I made on your dad’s headstone.”

Sighing, she clicked off the recorder and dropped it into her purse again. “I’m just really trying, you know? I’m up for a promotion.”

“I know,” he smiled kindly, but with an air that he was still keeping an eye-and-a-half on the house. “I heard you were up for it. Put in a good recommendation for you too.”

That was a surprise. “What’s going on? Off the record.”

He eyed her silently for a minute before he released a slow breath. “I can’t say.”

“Come on. Don’t make me sit here all night.”

“Stubborn as your old man.” A sympathetic smile appeared. “Off the record, we haven’t gone in yet, but we have a team on the way. There were…violent sounds inside. It’s gone silent since then, but we have no idea if it could be a hostage situation.”

“Another one?” Jack-freaking-pot.

“Yeah.” He wasn’t nearly as enthused. Not that she was enthused. She hated violence. But this could be just what she needed for a certain promotion and, even better, raise. 

“Have you gotten out the xylophone—”

“Megaphone.”

Yep, as soon as she’d said it, she knew she’d called it the wrong thing. Damn, she needed another shot of Buzz-Be-Gone. “Whatever. You know what I mean.”

“No, we haven’t. We’re working on getting a visual. If you’ll just go back to the street and stay on the other side of the tape, I’ll get statements together and I promise I will talk to you if I get clearance. I just need you to go where it’s safe.”

Larkin looked exhausted. No doubt this new development was nerve-wracking, especially after what happened at the Children's Hospital in Newark. The police had been cautious then as well, and an even bigger disaster had struck, which had rocked the entire state of New Jersey. Investigations were still going on, and a lot of families mourned those lost, hoping and waiting for some kind of answer. 

“Deal. Just give me two minutes.” Sophie stepped around him, heading toward the house. She couldn’t help but take a few more pictures of another body that was in front of the home, despite the detective’s attempt to stop her. From this view she had a nice angle of the house as well, with two windows behind the body—one of which was broken. Holding the viewfinder to her eye, she snapped one picture, then another. 

Something moved in the background as her camera snapped a picture. She quickly zoomed in for a better look, focusing on the windows. She snapped another pic without even realizing she’d moved her finger. Sophie lowered the camera, unable to rip her gaze from the unbroken window. 

There'd been a man peering through a gap in the curtains. In that split second of seeing him as her flash went off, she'd noted black and blue, spiked hair, and wide frame. And if she wasn’t mistaken, she’d seen blood on his face before he’d dodged out of her view.

Detective Larkin stood next her, so close that her shoulder brushed his arm. “What’s wrong?” 

Her eyes never left the window, even though she couldn’t see that deadly apparition anymore. “There are definitely people inside. Or, at least one person.”

“You saw someone? Where?”

“In that window. He’s gone now.” Hitting the view button on her camera, she pulled up the last picture she’d taken, holding it for Larkin to see. Yep, right there. The man’s eyes reflected back at her in the picture. Coupled with his large build, spiky hair, and blood streaked face, he looked a good deal more than merely frightening.

Detective Larkin cursed under his breath and gripped the radio at his shoulder. Speaking into it, he informed the station that there was confirmation on people inside. The crunch of snow under his boots alerted her that he’d hustled over to other cops, where he told them to watch for movement in the windows. 

Sophie pulled the memory card out of her camera. There was no way in hell was she giving that up if they seized her camera. She removed the card and stuck it in her pocket, all while keeping her eyes trained on that window. 

She willed the man to return to the window so she could catch another peek. It hadn’t been his hair or the blood that smeared his face that had captivated her. There was something in his eyes that took her breath away, that made her feel as though she’d never forget the way they looked. His eyes hadn’t just reflected back at her in that picture. They’d been that way when she’d seen him in the window, when there’d been no flash at all.

It was almost as if they glowed.

© Copyright Katalyn Sage

Sunday, October 27, 2013

Don't spread yourself too thin

I'll admit, I've had a tough time coming up with what I wanted to write about this month. I usually have a pretty good idea what I'll touch on weeks before it's my turn to post, but no matter how much I've tried to decide on a subject, I've come up with a big ol' blank. And you're about to find out why.

As you may know from previous posts, I gave myself a strict deadline for when I wanted to publish my most recent novel, The Highlander's Curse. I'm one of those crazies who, once I have a goal in mind, I'll do practically anything to achieve it. That piece of my soul that dies along with a failed goal is a lot more than I like to deal with, so I'm pretty adamant about finishing what I started. This brings me to my point (and as you may gave guessed, folks, the subject of this post).

Don't spread yourself too thin.

Having goals is a good thing. A great thing, in fact. But you should be smart about it. If you just started writing a book, and you're planning on it being close to 100K when it's done, don't set your goal to have the sucker finished in one month. Unless you're some kind of rock star who can crank out a crap ton of words every day and you don't need to edit it, then yeah, shoot for it. But I'm warning you, you're going to be in recovery-mode for a heck of a lot longer than you might think. Yes, I wore myself out. I'm currently in that dreaded funk authors call writer's block, only it isn't just affecting my writing. It's affecting everything. I have...mental-function block. I can't write, I don't want to read, heck, most of the time I don't even watch TV, I just stare at the pretty pictures flashing on the screen as my mind wanders over...well, nothing. It just wants rest!

So, what do I suggest?

I knew you'd ask. I'm psychic like that. And before you say "Ah-ha!" because I had enough mental know-how function to write this post, please note that this has taken weeks to formulate. ;)

Okay, on with my advice...

Please, just please, don't push yourself as hard as I did. Don't commit to that end goal without thinking through and planning out your smaller goals. Look at your normal productivity and factor in the fact that you can't (and seriously don't want to) shut out the entire world so you can write your book. Do you write 1,000 words a day? Awesome, your maximum goal for a week should be 7,000 words, and that's if you're planning to spend some time with your novel every single day. More than likely you won't be able to give that much love to your characters story, so give yourself some cushion. Maybe you could write 14,000 words in two weeks, but why not make a more manageable goal of 10,000 words in two weeks. If you surpass that 10,000 or even 14,000 words in that two weeks, then you have my permission to consider yourself a rock star until it's time to kick it in gear for your next goal. Alright, two week goal set? What's your month goal? Or, if you want to make smaller goals, why not set weekly ones? All I'm saying is, come up with your smaller goals and hold yourself to them. If you slack some days, you'll know what you need to make up later to keep yourself on track. And if you keep on track with your smaller goals, then nothing should keep you from reaching that long-term goal and completing your novel.


That was the end of my post, I just thought I'd add my funniest typo for this post: I kept typing "goat" in instead of "goal." If any sneak through, you get the gist.


Thursday, September 12, 2013

Ignite your passion

Like Jayne said in last week's post, anyone can write. No one thinks they can do it when they first start. Heck, I hadn't read a book in almost a decade before I finally picked one up and got hooked on the romance genre. What right did I have to write one? When I started typing up my first book, I really hadn't planned on anyone seeing it except for family and a few close friends. Little did I know, I was about to write an entire novel. I ignited that passion for writing by continuing to do the two things, which, to this day, motivate me more than anything else:
Listening to music and reading those incredible books I fell in love.

So if you're not sure you can write, or you think it'll suck, just remember that everyone goes through that. Whether you're green or a seasoned author, those doubts will happen no matter what. Just make sure you continue to do things that motivate you. Cultivate your passion and see where it takes you.

Here are a few authors and songs I've used to motivate me (in no particular order):
Authors
Kresley Cole
JR Ward
Gena Showalter
Richelle Mead
Karen Marie Moning
Diana Gabaldon

Songs
Muse - Exogenesis: Part 1 (and, well, pretty much any song)
Christina Perri - Almost any song, but mostly Tragedy and The Lonely

What songs and authors/series motivate you?



Sunday, June 30, 2013

You can write

As I think back over the last few years, I realize that a lot has changed, and a lot hasn't. I may have a few more books under my belt now, but I'm just as unsure of myself as the day I did my first pitch to an agent. Today, I'd like to talk about our fears as authors.

Self-Doubt
I'm not good enough. Seriously. It doesn't matter what I've written or the epic stories that are currently  whirring around inside my brain, waiting to be typed up... I'm just not good enough. Now, I know, I know, some of my friends that are reading this right now are getting ready to give me that kick in the pants they're so awesome at doing, but I just have to say that it's true. I think this just comes with the territory. I don't know a single author who doesn't fret over what they've written. The key is to just try and believe in yourself.

What If's will kill you
I, for one, am a worry wart. I'm a nutcase - never being able to make decisions and always wondering "what if?". Should I write so-and-so's story now, or someone else's? Should I write my story in first or third person - or both? Should I have long chapters or short? I can't tell you how many times I've written entire chapters in two different ways so that I could figure out what felt right. There really isn't a fix I can give you for those of us who just can't seem to decide what to do. All I can say is: just let your characters roll with it. It's your job to write what they give you. If a certain character is motivating you today, write about him/her. If a different character is pushing you tomorrow, give that one the spotlight. Very rarely will you get anywhere by trying to force a story out of someone who isn't ready to tell it.

Your story will never EVER be perfect
This is true. You will finish your book and go through X number of edits before you might feel like it's ready to submit to a publisher (or self-publish if that's your route). You'll probably have read the words "The End" at least five times, and you might even hate your story by the time you're ready for that next step. I've been there. I've done that. And then I've sent off my query letter, synopsis, and (in some cases), the full  manuscript. As soon as you hit that send button, those doubts fill you and you think, "Crap, did I change this? And did I ever change that his eyes were blue instead of green? Or, did I write enough detail, or did I head hop, or did I..."
You get my point.

My suggestion is to make notes as you think of those problems. If you've already sent off that full manuscript, at least you'll have a chance to make those changes during the editing process. If you've only sent off your query and synopsis, then I'd sleep on it (again, take notes as you think of fixes) and go back in after at least a day to make those changes. You might hate your book by the time it's published, and you might feel like everyone will hate it as much as you do at the moment (we authors can have a love/hate relationship with our book sometimes). Don't worry though, it'll turn into full-on love again after you've gotten a break from it.

Full of What If's, self doubt, and a story that may or may not suck? Here are my notes:

  • As I just mentioned, make notes. Whether it's tweaks you need to make to the story line or to details within the story, or maybe it's mistakes you make over and over again, make a "BEFORE YOU SUBMIT" list, and follow it every time. Spell check, double spaces, formatting, etc.
  • Ever heard of the phrase: Two sets of eyes are better than one? Yeah, there's a reason that's a saying. Find someone you can trust to read and critique your work. Chances are, you're like me, and your brain auto-corrects words/sentences, so you could have really jacked up somewhere. A critique partner will help you catch those. 
  • Read it out loud. I know, that sounds weird, and it can feel uncomfortable. If you can find some alone time, read your book out loud. This can help you improve flow, and sometimes you'll even catch those pesky mistypes I just mentioned. Chances are, if it reads well when you speak it, then you've nailed it.
  • Don't write for someone else. Write for your characters. Write for you. Some people will like your book, some will hate it. Don't focus on those haters. For one, some people thrive by making others feel bad (aka: bullies). For another, you shouldn't waste a single breath on them because there are other, more important people to focus on: the people who love your book, those whose lives were changed by merely losing themselves in the story you brought to life.

And finally...
You can write. Your characters chose you, because you rock that much. Anyone who tells you otherwise can bite you.

Saturday, October 8, 2011

Incredible Conference

Three of the chics (Jayne, Hannah, and I) attended the Utah RWA Heart of the West Conference in gorgeous Park City, UT this weekend. We met a bunch of wonderful authors (both men and women) and I'm excited to have made some new friends. We also learned a lot, and I, for one can't wait to use my new-found knowledge to work! I'll be re-writing my query letter, analyzing my books, and sending out more queries to agents, editors, and publishers so that my dreams of being published can come through.

If you've never been to an RWA Conference, I would seriously suggest attending one. Many of them allow you to attend even if you're not a member (you'd likely just pay a higher fee). So if you're a writer (un-published or published), or even if you're just thinking about it, you should definately go to one. The wealth of knowledge provided in the classes is incredible!

Thursday, August 11, 2011

Rejections Rejections - A new Q for the Chics

Its been a while since I've asked the Writer Chics a question. I generally tie my questions to things that are currently going on with me and things that I've wondered if other writers experience.

So my question is this, and really, any author could answer this, since every one experiences it: How do you stay motivated when you receive rejection letters?

Sunday, July 10, 2011

Nervous

I forgot to re-post last weekend and let you all know that I actually completed my goal last weekend. I'm not exactly sure how I accomplished it, but I ended up writing over 5,000 words over the 4th of July 3-Day weekend. So far I've written a little over 1,500 words this weekend, but I'm really trying to keep at it. I'm so close to completing this book that its getting me excited. Not just because I'm nearly done, but because I'm excited to work on my 3rd book.

I mentioned in my last post that the four of us all went to the RWA conference last October, and that my goal is to be already writing my 3rd book by the time it rolls around this year. Well, I just found out that the deadline for the writer's contest is a short 5 days away. The winners are announced during the RWA Conference, so I'm considering submitted my 1st book... or maybe my 2nd... or possibly both! The thought of it makes me nervous, since it will be reviewed by some professionals; but really, that could be a good thing. So, now I just need to talk to my husband, review what I want to submit (if I want to submit), and wait and see.

Saturday, July 2, 2011

Goals

In my first book, I stopped writing once I reached 80,000 words, thinking that I was done. Well, as it turned out, I was wrong, and I've ended up adding more than 20,000 words since then. In my 2nd book (which is a part of the same series), I've just reached 60,000 words, which means that I'm really close to my original stopping point on the original. My goal for the 4th of July weekend is to get 5,000 words so that I'm that much closer to an end product.

Last year, all four of the Writer Chics went to an RWA Conference in October. My goal then was to have my 1st book completed. This year, I'm switching it up a little. Do I want my 2nd book completed by then? Umm, yeah! But, I want even more. Not only do I want my 2nd book completed, but I want to have started on my 3rd. The only thing I can't decide on is if I want my 3rd book to be the 3rd book in the same series, or if I want to work on one of my YA novels.

Luckily I still  have time to decide. All I know is that I want my 3rd project well on its way before this year's conference.

Sunday, June 19, 2011

New Question for the Chics

I know a lot of authors out there (whether they are new or experienced, published or unpublished) have bouts of frustration in this career - I mean, really, it can be nerve-wracking - and I think that this week's question for the Writer Chics will help a lot of people.
What is the hardest part about being an author and how do you keep going?